Inside Biringan, the Philippines’ invisible city

The only way to get there is to be lost. Imagine a shimmering city looming before you. You hear voices calling in the distance. Large buildings reach to the clouds. Sleek cars slip through the streets. The latest tech is woven through the fabric of daily life, and so is the gold. This gleaming city is modern, yet futuristic. Except – you were deep in the forest only a second ago. Welcome to the hidden […]

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Field guide to the Finnish tonttu

Field guide to the Finnish tonttu

In Finnish mythology, a haltija (plural: haltijat) is a guardian spirit living in a liminal space: nature, homes, even within ourselves. The specific haltija that guards a place is called a tonttu (plural: tontut) – a newer word which comes from the Swedish “tomte.” Like the tomte (and the Norwegian/Danish nisse), a tonttu has a specific look: pointy red cap, long beard if a man, small and elflike in stature. One of my favourite childhood

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Grants awarded for my new novel-in-progress

I’m honoured to receive an Artistic Creation grant from Canada Council for the Arts, and Ontario Arts Council Recommender Grants via House of Anansi Press and Wolsak and Wynn Publishers! ⁠⁠This funding will allow me to devote time to completing Corrode the Song, a literary fantasy novel inspired by precolonial Filipino culture, and 19th-century Finland fighting against Russian rule. It’s a celebration of Filipino and Finnish culture, featuring things like precolonial Tagalog riddles, traditional Filipino

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Sparks from a fox tail: Aurora borealis folklore in Finland

I’ve never been lucky enough to see the Northern Lights, and maybe that’s why I’m so interested in aurora borealis stories from Finnish and Sámi culture. I wanted to share my favourite bits of aurora borealis folklore here – let me know which one is most intriguing to you! Aurora borealis as sparks from a fox’s tail In Finland, the name for the aurora borealis is “revontulet” – fox’s fires. It comes from an ancient

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Rune-singers and kantele: ancient memory and magic

In Finland, runes aren’t what you might think. At least, not in the same way. “Runo” means “poem,” and while the word is borrowed from the Proto-Germanic word, to us it’s different than the Norse futharks1. ⁠ What are “runes” in Finland, Karelia, and Estonia? ⁠Rune-singing/runolaulu is an ancient form of oral folk poetry and storytelling from Finnish, Karelian, and Estonian culture (who are different from Scandinavians). Linguistic research suggests it’s older than the separation

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How Filipino food history nurtures my mixed-race identity

One of my favourite things about Filipino food is all of the outside influences made undeniably Filipino in their interpretation.⁠ I like to use Filipino food in my writing, and it’s become a key part of my mixed-race identity too. The Philippines is made up of many different cultures and languages, and this isn’t meant as a definitive definition of Filipino cuisine. I just wanted to celebrate it. As a mixed-race person, it reminds me

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What’s changing with my Patreon in 2026

Things have been evolving in my life and creativity. I’ve been regularly researching stories from Filipino & Finnish culture and having a blast. So starting in January 2026, I’ll be shifting to monthly reflections on folklore, cultural discoveries, and fragments that don’t always make it into my fiction. It’ll be part cultural storytelling and part personal meditation on belonging in the in-between. In January I’ll be retiring my current Patreon tiers and introducing new ones:

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Filipino folklore story in Ginger & Smoke

I have a short story in the first edition of Ginger & Smoke! A Filipino-Canadian first, Ginger & Smoke is a genre-blending publication reclaiming Filipino folklore, mythology and fairy tales. It became my dream publication as soon as I saw the call for submissions, and I’m grateful to Nathalie De Los Santos for broadening the scope of Filipino expression. “Learn the New Light” is a science-fantasy story about a nuno sa punso living on a

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Before Halloween, there was Kekri

Imagine an autumnal fire-crackle, song and stillness after harvest, a pause between worlds when the veil is thinnest. This time of year seems right for that sort of thing, for divination and feasting and weaving the past and future together. ⁠In Finland & Karelia, it was called Kekri. Kekri was a liminal time of harvest and ancestors. It fell at the end of the agricultural harvest, sometime between Michaelmas (September 29) and All Saints’ Day.

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